Manifesto of Futurism (F.T. Marinetti)... We will sing of great crowds excited by work, by pleasure, and by riot; we will sing of the multicolored, polyphonic tides of revolution in the modern capitals; we will sing of the vibrant nightly fervor of arsenals and shipyards blazing with violent electric moons; greedy railway stations that devour smoke-plumed serpents; factories hung on clouds by the crooked lines of their smoke; bridges that stride the rivers like giant gymnasts, flashing in the sun with a glitter of knives; adventurous steamers that sniff the horizon; deep-chested locomotives whose wheels paw the tracks like the hooves of enormous steel horses bridled by tubing; and the sleek flight of planes whose propellers chatter in the wind like banners and seem to cheer like an enthusiastic crowd.
Extended version:
http://www.unknown.nu/futurism/manifesto.htmlManifesto of the Futurist Painters (Umberto Boccioni, Carlo CarrĂ , Luigi Russolo, Giacomo Balla, Gino Severini)
1. Destroy the cult of the past, the obsession with the ancients, pedantry and academic formalism.
2. Totally invalidate all kinds of imitation.
3. Elevate all attempts at originality, however daring, however violent.
4. Bear bravely and proudly the smear of “madness” with which they try to gag all innovators.
5. Regard art critics as useless and dangerous.
6. Rebel against the tyranny of words: “Harmony” and “good taste” and other loose expressions which can be used to destroy the works of Rembrandt, Goya, Rodin...
7. Sweep the whole field of art clean of all themes and subjects which have been used in the past.
8. Support and glory in our day-to-day world, a world which is going to be continually and splendidly transformed by victorious Science.
Extended version:
http://www.unknown.nu/futurism/painters.html***
So yeh. Italian Futurism (1910-1914) could be described as Cubism’s angry cousin and Vortism’s older brother. The whole movement is a blur of movement: physically, technologically, psychologically, individually, corporately ect. dedicated to passion for the future and revolution.
There are some good pieces here, and the exhibition does well to cover the spread of Futurism throughout Europe (France / Russia / England ...) and there are some good paintings by Umberto Boccioni, but I was hoping for more pieces from my favourite Gino Severini (Dance of the “Pan-Pan” at the Monico, 1909-1911, below).
Some things change meaning and significance over the years, but who doesn’t enjoy heady, provocative manifestos and the wild, gestural painting of passionate people?
Follow the exhibition here:
http://www.tate.org.uk/modern/exhibitions/futurism/default.shtm